'f l u x'

‘FLUX’  addresses the idea of a ‘saṅkhāra’  (interpreted as impermanent mental dispositions from the ancient Pali language). There is an attempt to relate a saṅkhāra to the state of textural impermanence observed on the surfaces of reclaimed and sculpted metal pieces. Each piece carries a sense of compositional imbalance and restlessness. The compositions are fluid yet structural.